Empowering Art: Indigenous Creativity and Activism from North America’s Northwest Coast
Lawrence Paul Yuxweluptun
Sainsbury Centre for Visual Arts
March 12 to July 30, 2023
Lawrence Paul Yuxweluptun, An Indian Act Shooting the Indian Act, 1997
Curated by Jack Davy and Theo Weiss
Curatorial consultant, Jordan Wilson
Jin-me Yoon: Here Elsewhere Other Hauntings
Jin-me Yoon
Southern Alberta Art Gallery
September 16 to November 20, 2022
Jin-me Yoon, (it is this/it is that), 2004
Curated by Anne-Marie St-Jean Aubre
LIFE IS A TOOL LIKE ANY OTHER
Samuel Roy-Bois
Musée d’art de Joliette, Joliette, Québec
June 18 to September 5, 2022
Curated by Anne-Marie St-Jean Aubre, Curator of Contemporary Art, Musée d’art de Joliette, and Charo Neville, Curator, Kamloops Art Gallery
Québec artist Samuel Roy-Bois, who has lived in British Columbia for the past 15 years, presents select projects from two independent bodies of work. First exhibited at the Kamloops Art Gallery in 2019, The Origin of the Family, Private Property and the State (2016–2019) is a series of photographic sculptures Roy-Bois made from things he found on a property in Germany in 2016, during an artist residency at Künstlerhaus Worpswede. Realized with the help of his children, who balanced the found objects and then quickly disappeared from the camera lens, this series presents momentary, precariously composed sculptures that exist only long enough to be documented. Suspended for the brief opening of the camera shutter, the sculptures are only experienced by the viewer through the photographs. As improvisational and incidental photographic sculptures, they push up against our understanding of temporality and the certainty of concrete existence.
Ici ailleurs d'autres spectres
Jin-me Yoon
Musée des beaux-arts de Sherbrooke
September 30, 2021 to January 9, 2022
Jin-me Yoon, (it is this/it is that), 2004
Curated by Anne-Marie St-Jean Aubre
PRESENCES
Samuel Roy-Bois
Esker Foundation, Calgary, Alberta
September 26 to December 19, 2020
Curated by Charo Neville, Curator, Kamloops Art Gallery
Samuel Roy-Bois’ practice is concerned with the conceptual and material definition of space and the ways the built environment and manufactured things contribute to our understanding of the world. Through sculpture, site-specific installation, and photography, Roy-Bois examines relational networks of objects and their complex philosophical considerations: How do we define ourselves through the creation of structures? Is it possible to conceive of one’s existence outside any material linkage? We make things, but are things also making us?
For this new body of work, Presences, Roy-Bois has created an ensemble of constructed and found objects that consider our contemporary material knowledge. His discrete architectural sculptures act as vessels for everyday things and are separated from the gallery’s architecture by platforms. This series of site-specific improvisational installations present everyday objects in new ways, blur the boundaries between art and life, and shift ordinary things and spaces into a poetic dimension. By connecting sculpture, everyday objects, floor, and ceiling, Roy-Bois manipulates the gallery space as a strategy to create a genuine and direct relationship with the viewer, and his use of everyday items offers a way of understanding our relationship to our environment.
Samuel Roy-Bois: Presences is organized and circulated by the Kamloops Art Gallery. Support for the development and production of new works for the exhibition provided by Esker Foundation.
The Writing on the Wall: Works of Dr. Joane Cardinal-Schubert, RCA
Joane Cardinal-Schubert
Esplanade Arts and Heritage Centre
January 11 to June 13, 2020
Joane Cardinal-Schubert, Birch Bark Letters to Emily Carr: House of All Sorts, 1991
Curated by Lindsey Sharman
Ted Smith: Ideal Forms
Ted Smith
Kamloops Museum and Archives
November 30, 2018 to June 1, 2019
Ted Smith, Spring Beach #5, 1969
Curated by Matt Macintosh
In/Flux: Art of Korean Diaspora
Jin-me Yoon
Museum of Vancouver
September 28, 2018 to January 27, 2019
Jin-me Yoon, (it is this/it is that), 2004
Curated by Jillian Povarchook, Curator and Josh Doherty, Design
Short Fictions
January 13 to March 18, 2018
Kelowna Art Gallery
Gary Pearson, Under the Blue Palms, 2005 and When I get to Baton Rouge, 2005
Curated by Ihor Holubizky
Beginning with the Seventies: Glut
January 12 to April 7, 2018
Morris and Helen Belkin Art Gallery at UBC
Allyson Clay, Some places in the world a woman could walk: Regina, 1993, and Some places in the world a woman could walk: Voices from the street, 1995
Curated by Lorna Brown
Stone and Sky: Canada’s Mountain Landscape
November 11, 2017 to February 26, 2018
Audain Art Museum
A.Y. Jackson, South of Razor Mt, BC, 1914; Mount Paul, Kamloops, BC, 1945; and Five Mile Glacier, Mt. Robson, 1914
Curated by Darrin Martens
Tania Willard: dissimulation
September 14 to November 5, 2017
Burnaby Art Gallery, Burnaby, BC
Tania Willard, Pine Triptych: Before We Were Ghosts, Listening to Ghosts, Becoming Ghosts, 2009
riverpeoplenationstatepeople
June 30 to November 3, 2017
Kamloops Museum and Archives, Kamloops, BC
Dana Claxton, Baby Boyz Gotta Indian Pony, 2008
Curated by Tania Willard
Lawrence Paul Yuxweluptun: Unceded Territories
May 10 to October 16, 2016
UBC Museum of Anthropology, Vancouver, BC
Lawrence Paul Yuxweluptun, An Indian Act Shooting the Indian Act, Healey Estate, Northumberland, September 14th, 1997
Curated by Tania Willard (artist and independent curator, Secwepemc Nation), Karen Duffek (MOA Curator, Contemporary Visual Arts & Pacific Northwest)