Josh Allan’s practice is influenced by the grand narratives and graphic drawing found in comics. Deb Fong’s research takes her into the history of still life painting where she works beyond the flat canvas and brings a contemporary feminist perspective to the genre. Kazia Poore uses photography to explore personal expression through the gestural movement of people’s hands. Elizabeth Sigalet uses sourced material and photographic manipulation to investigate the relationship between the natural landscape and human engineering projects within it.
For their collaborative project at the Kamloops Art Gallery, the artists are executing call and response works within The Cube for the two-week installation period prior to the opening reception. This methodology plays off of Surrealist drawing games like the exquisite corpse, where multiple artists collaborate, responding to the previous artists’ work to create a finished work that focuses on the process as much as the result. To begin this project, each artist claims a wall of the gallery, initiating a call, then invites the other artists to respond. The responses are without guidelines or limitations, with each artist knowing their work may be added to, blotted out or erased completely and replaced by new work. Upon further discussion… is an exercise in multi-authorship and collaboration in an attempt to go deeper into the Polite Conversation that initiated the artists’ collaborations during their BFA studies.
Deb Fong and Kazia Poore
Hand Holding Lemon, 2018
acrylic and photo on canvas
91.4 x 91.4 cm
Comet MMXVIII was created for the Gallery’s Luminocity 2018 exhibition (luminocity.ca) and served as a beacon of light at Riverside Park during this evening festival of video projections and new media projects. Installed on top of the newly renovated TNRD entrance, this light sculpture will act as a beacon for this public building, marking it as a significant civic and cultural space in the city. It holds visual interest in the daytime and at night, celebrating this building as a key public space in downtown Kamloops and highlighting an exceptional example of local talent. The sculpture also serves as an opportunity to showcase a new work acquired for the Kamloops Art Gallery’s collection and visibly marks the excellence embodied in one of Kamloops’ principle cultural institutions. The sculpture is representative of the Gallery’s rigorous exhibition program and commitment to community engagement.
Donald Lawrence is a professor in the Visual Arts Program at Thompson Rivers University. He holds a Bachelor of Fine Arts from the University of Victoria, Victoria, BC and a Masters of Fine Arts from York University, Toronto, ON and exhibits his artwork nationally and internationally. Lawrence was the 2017 recipient of the Kamloops Mayor’s Award for the Arts Artist of the Year award and was the first Chair of the City of Kamloops’ Arts Commission.
Research for this sculpture draws upon Lawrence’s duel interest in solar phenomenon and optical devices. He referenced numerous books in this research and made sketches based on medieval imagery he sourced. These ephemeral resources will also be displayed in the entrance to the TNRD building to further inform visitors about the sculpture and Lawrence’s art practice, and to mirror the Library’s fundamental interest in books, their importance and history.
Donald Lawrence Comet MMXVIII, 2018 salvaged galvanized items and fluorescent light tubes, LED lights, Bubble Wrap, rope and tackle 444.5 x 279.4 x 88.9 cm Photo: Krystyna Halliwell
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