ᑕᑯᒃᓴᐅᔪᒻᒪᕆᒃ DOUBLE VISION
Jessie Oonark, Janet Kigusiuq, and Victoria Mamnguqsualuk
Central Gallery
January 20 to April 6, 2024
Curated by Candice Hopkins
Double Vision is centred on the practice of Jessie Oonark (1906–1985) and two of her daughters, Janet Kigusiuq and Victoria Mamnguqsualuk. Although Oonark only began drawing and working with wool at the age of 59 once she moved to Qamani’tuaq (meaning “Where the River Widens,” also known as Baker Lake in Nunavut), she is arguably one the most influential Inuit textile makers. Eight of her children became artists: Victoria Mamnguqsualuk, Josiah Nuilaalik, Nancy Pukingrnak Aupaluktuq, Miriam Qiyuk, Peggy Qablunaaq Aittauq, Mary Yuusipik Singaqti, William Noah, and Janet Kigusiuq. Together they formed the cornerstone of artistic production in the community of Qamani’tuaq.
SLEEPING IN SKINS: LIFE IN INUIT NUNANGAT
Davidialuk Alasua Amittu // Kenojuak Ashevak // Pitseolak Ashoona // Elizabeth Nutaraluk Aulatjut // Ada Eyetoaq //Vital Makpaaq // Henry Napartuk // Martha Noah // Pudlo Pudlat // Jamasie Teevee
Central Gallery
January 20 to April 6, 2024
Sleeping in Skins: Life in Inuit Nunangat brings together a selection of prints and one beaded front-piece by Inuit artists, drawn from the Gallery’s collection. These works were gifted to the Gallery by Mary and Glenn Martin 17 years ago. The presentation of ᑕᑯᒃᓴᐅᔪᒻᒪᕆᒃ Double Vision has offered an opportunity to revisit Arctic Treasures: The Mary and Glenn Martin Collection, an exhibition featuring this collection at the Kamloops Art Gallery in 2007.
ANCESTRAL DREAMS & OTHER PREMONITIONS
Cindy Mochizuki
Central Gallery
April 20 to July 6, 2024
Curated by Charo Neville
In this first survey presentation of Cindy Mochizuki’s practice, the throughlines of enduring and intersecting themes emerge through four key artworks. As a significant part of her artistic process, Mochizuki’s projects work through material and story recovery where she engages family members, community participants and archives to realize and shape her multi-media installations.
TOWN + COUNTRY: NARRATIVES OF PROPERTY AND CAPITAL
Central Gallery
July 20 to September 21, 2024
BLACK DRONES IN THE HIVE
Deanna Bowen
Central Gallery
September 23 to December 30, 2023
Curated by Crystal Mowry
For more than 20 years, Deanna Bowen’s practice has evolved from its roots in experimental documentary video into a complex mapping of power as seen in public and private archives. Research and exhibitions are rarely mutually exclusive modes for Bowen, in part because her subjects reveal new perspectives over time. Whether it is through strategies of re-enactment or dense constellations of archival material, Bowen’s work traces her familial history within a broader narrative of Black survival in Canada and the United States.
GLACIAL RESONANCE
Paul Walde
Central Gallery
January 21 to April 1, 2023
Curated by Charo Neville
Presenting the glacier as a central protagonist, Glacial Resonance brings the stark reality of otherwise distant mountain ranges to the forefront. A solo exhibition of ambitious projects by Canadian artist Paul Walde, Glacial Resonance shares the artist’s enduring concern about environmental crises, channelled through sound and video. Best known for his interdisciplinary performances staged in the natural environment, Walde’s work often involves music and choreography. His immersive installations materialize from projects on mountain sides and from deep in old growth forests that involve myriad volunteers and performers, and technically ̶ and geographically - challenging logistics. The splendor and sense of awe evoked by these landscapes, emphasized through the embodied sound experience of Walde’s installations, offer alternative modes in which to traverse the overwhelming scale of climate change.
WITNESSING
Alicia Henry
Central Gallery
October 1 to December 31, 2022
Curated by Daina Augaitis
For the last two decades, Alicia Henry has been exploring unconventional approaches to portraiture, using the face to represent something that is hidden, revealed, and performed. Henry creates two-dimensional figures and group compositions that are commanding in their grace and expressiveness. Selecting her media carefully, she works with felt, canvas, and other textiles, as well as leather and paperboard, all of which absorb drawn and stitched gestures that register a spectrum of contexts and emotions. Notions of gender and family are significant in her works, as are physical layers that suggest multiple and unfixed identities. Tender renditions of a mother with a child appear, as do groupings of 20 or more females that signify formations of like-minded families within communities.
READING THE LAND: TEN YEARS OF COLLECTING
Rebecca Belmore // Franklin Carmichael // Dana Claxton // Feminist Land Art Retreat // Rodney Graham // Adad Hannah // Andrea Kastner // Ann Kipling // Germaine Koh // Rodney Konopaki and Rhonda Neufeld // Donald Lawrence // Scott Massey // Daphne Odjig // Toni Onley // Gary Pearson // Jerry Pethick // Richard Prince // George Raab // Jack Shadbolt // Gordon Smith // Ted Smith // Tania Willard // Lawrence Paul Yuxweluptun
Central Gallery
July 16 to September 17, 2022
Curated by Charo Neville
Offering a view into the Kamloops Art Gallery’s collection through its acquisitions over the past ten years, Reading the Land: Ten Years of Collecting shares the expanse of artists and artworks that have come into the Gallery’s care over the past decade. The selection of works focusses on a range of approaches to representing the landscape and critically exploring the idea of land. Spanning wide-ranging art-historical epochs and diverse approaches, the exhibition offers a view into artmaking over the past 100 years in the context of shifting worldviews and conversations about land use and cultural implications. The selection of works in Reading the Land: Ten Years of Collecting present a reading of the land that is inseparable from culture.
HERE ELSEWHERE OTHER HAUNTINGS
Jin-me Yoon
Central Gallery
April 23 to July 2, 2022
Curated by Anne-Marie St-Jean Aubre
Curator of Contemporary Art, Musée d’art de Joliette
Here Elsewhere Other Hauntings is the first retrospective dedicated to the work of Jin-me Yoon, a Korean-Canadian artist living in British Columbia. Conceived and organized by the Musée d'art de Joliette, Québec, this exhibition brings together nearly 30 years of Yoon’s artistic practice through a thematic journey. It shares works that condense several of the artist's preoccupations, including her relationship with her Korean heritage, her experience of migration, and her testing of the reality of what are considered Canadian ideals.
HALCYON FOG
Kelly Richardson
Central Gallery
January 22 to April 2, 2022
Curated by Charo Neville
Using digital technologies, Kelly Richardson creates hyper-real, sublime, and spectacular landscapes that communicate underlying unsettling narratives. Richardson is a Canadian artist based in Victoria, BC, where she is a Professor in Visual Arts at the University of Victoria. From 2003 to 2017, she lived in North East England, where she was a Lecturer in Fine Arts at Newcastle University. Widely recognized internationally, Richardson has exhibited her work less frequently in Canada. This solo exhibition presents a view into Richardson’s longstanding exploration of our relationship to nature and how this relates to climate change.
WHOSE STORIES?
Diyan Achjadi // Naoko Fukumaru // Tomoyo Ihaya // Load na Dito // Mark Salvatus // UJINO
Central Gallery
October 2 to December 31, 2021
Curated by Makiko Hara
Reflecting on the experiences and narratives of "others," Whose Stories? shares the work of six artists of Asian descent. Through video installation, photography, animation, print media, drawing, collage, and restored ceramic works, artists Diyan Achjadi, Load na Dito, Naoko Fukumaru, Tomoyo Ihaya, Mark Salvatus, and UJINO convey personal histories told within a community of artists and woven across generations.
HOLDING A LINE IN YOUR HAND
Azadeh Elmizadeh // Colleen Heslin // Russna Kaur // Lyse Lemieux // Rajni Perera
Central Gallery
July 17 to September 18, 2021
Curated by Charo Neville
Holding a line in your hand presents the work of five Canadian women painters from different cultural backgrounds, at different stages in their careers, and based at opposite ends of the country. Their work contains divergent methodologies, but also strong affinities. The exhibition includes artwork abundant in colour, line, and texture, embedded with and unencumbered by ideas. The focus on a small group of female painters offers a renewed perspective on an historically male-dominated domain and reflects today’s growing number of female artists working in the medium. Exploring and expropriating the idea of the painting in a myriad of ways, these artists share an expanded approach to painting. Holding a line in your hand speaks to a resurgence of painting in Canada and an active dialogue around historical precedents and contemporary approaches.
SOUNDINGS: AN EXHIBITION IN FIVE PARTS
Tania Willard // Peter Morin // Maggie Groat // Olivia Whetung // Ogimaa Mikana // Garry Gottfriedson // Greg Staats // Tanya Lukin Linklater // Camille Georgeson-Usher // Heidi Aklaseaq Senungetuk // Aaron Leon // Sebastian De Line // Diamond Point and Jordan Point // Kite // Raven Chacon and Cristóbal Martínez
Central Gallery
April 29 to July 3, 2021
Curated by Candice Hopkins and Dylan Robinson
How can a score be a call and tool for decolonization?Curated by Candice Hopkins and Dylan Robinson, Soundings: An Exhibition in Five Parts features newly commissioned scores, performances, videos, sculptures, and sound by Indigenous and other artists who respond to this question. Unfolding in a sequence of five parts, the scores take the form of beadwork, videos, objects, graphic notation, historical belongings, and written instructions. During the exhibition, these scores are activated at specific moments by musicians, dancers, performers, and members of the public gradually filling the Gallery and surrounding public spaces with sound and action.
A MARKER TO MEASURE DRIFT
Scott Massey
Central Gallery
January 22 to April 3, 2021
Curated by Charo Neville
Canadian artist Scott Massey (b.1971) explores the confluence of art and science through multi-media projects that accentuate natural phenomena by fabricated means. Drawing on research into quantum physics, cosmology, astronomy, and other scientific disciplines, Massey’s practice examines cosmological subjects as a way of understanding our place in this greater context.
CASTING THE EYE ADRIFT
Donald Lawrence
Central Gallery
July 7 to December 31, 2020
Curated by Charo Neville
Offering insight into almost four decades of Donald Lawrence’s practice, the retrospective exhibition Casting the Eye Adrift brings together major sculptural works, videos, photographs, drawings, preparatory models and ephemeral works that represent Lawrence’s longstanding interest in the intersections between art, science and technology, and concepts of wilderness.
FREE REIN
Feminist Land Art Retreat
Central Gallery
January 17 to March 21, 2020
Curated by Charo Neville
Feminist Land Art Retreat (FLAR) is a conceptual project that was initiated in 2010 with a poster advertising an unrealized event. Appropriating the style of a 1960s protest poster, the artists inverted an image of the canonical land artwork Spiral Jetty by Robert Smithson to transform it into an image of the female reproductive system. Through this simple gesture FLAR asked the viewer to reconsider the terms “feminist,” “land art” and “retreat” and the resulting associations that emerged. By doing so, an art historical moment was reimagined. Since that time FLAR’s practice has involved advertising forms including posters, site-specific billboards and clothing, as well as videos, sculptures and performances. Their work draws upon the material, conceptual and political work of feminist artists, land artists, activists, theorists, writers and musicians.
HEXSA’AM: TO BE HERE ALWAYS
Siku Allooloo // Scott Benesiinaabandan // Darryl Dawson // Jaymyn La Vallee // Diane Roberts // Sara Siestreem // Juliana Speier // Nabidu Taylor // Kamala Todd // William Wasden Jr. // Tania Willard // Lindsey Willie
Central Gallery
October 5 to December 28, 2019
Curated by Marianne Nicolson and Althea Thauberger
In 1914, delegates of the McKenna-McBride Royal Commission met with Johnny Scow (Kwikwasuti’nuxw), Copper Johnson (Ha’xwa’mis), Dick Webber and Dick Hawkins (Dzawada’enuxw), and Alec Morgan (Gwawa’enuxw), as well as all the Kwakwaka’wakw Chiefs, to establish the land base of the Kwakwaka’wakw group of nations. A century later, in May 2018, the Dzawada’enuxw First Nation launched the first-ever BC Supreme Court case to extend Aboriginal title to the ocean, claiming that the Province does not have the authority to grant tenures to salmon farms in the Broughton Archipelago. As two moments in a tangled timeline of resistance, these legal encounters bring forward the ways that cultural practices can bring new realities into being for a community experiencing ongoing social, cultural and ecological effects of colonization and globalizing economics.
IONIC BONDS
Maggie Boyd // Steven Brekelmans // Tom Burrows // Babak Golkar // Glenn Lewis // Eunice Luk // Paul Mathieu // Eric Metcalfe // Gailan Ngan // Wayne Ngan
Central Gallery
July 13 to September 21, 2019
Curated Charo Neville
The atoms in ceramic materials are held together by chemical bonds. An ionic bond occurs between materials with different electronegativity—metal and non-metal. The metal atom transfers electrons to the non-metal atom, becoming positively charged, whereas the non-metal becomes negatively charged. The two ions, having opposite charges, attract each other with a strong electrostatic force. The artists in this exhibition are bonded by their distinctive approaches to ceramics. Through diverse ways of working with clay, the artists respond to the deep historical roots of ceramics, the medium’s connection to the land and its ability to transform through human contact.
PRESENCES
Samuel Roy-Bois
Central Gallery
April 6 to June 29, 2019
Curated by Charo Neville
Originally from Québec City, Samuel Roy-Bois is based in the Okanagan, where he is assistant Professor of Sculpture in the Faculty of Creative and Critical Studies at the University of British Columbia’s Okanagan Campus and heads an interdisciplinary lab for creative exchange The Research Studio for Spaces and Things. Roy-Bois’ artistic practice involves site-specific installations concerned with the conceptual and material definition of space and the ways the built environment contributes to our understanding of the world. Through sculpture, photography and installation, Roy-Bois examines the relational network of objects and their historical resonance: How do we define ourselves through the creation of structures? Is it possible to conceive of one’s existence outside any material linkage? We make things, but are things making us?
GLINTS AND REFLECTIONS
Adad Hannah
Central Gallery
January 18 to March 23, 2019
Curated by Lynn Bannon and Anne-Marie St-Jean Aubre. Produced and circulated by the Musée d’art de Joliette.
Adad Hannah was born in New York in 1971, spent his childhood in Israel and England, and moved to Vancouver in the early 1980s. He lives and works in Vancouver and exhibits his work nationally and internationally. This exhibition brings together key works made by Hannah in the past decade that focus on his enduring interest in the photographic image in relation to personal and social histories.