July 7 to December 31, 2020
Central Gallery
Donald Lawrence
Offering insight into almost four decades of Donald Lawrence’s practice, the retrospective exhibition Casting the Eye Adrift brings together major sculptural works, videos, photographs, drawings, preparatory models and ephemeral works that represent Lawrence’s longstanding interest in the intersections between art, science and technology, and concepts of wilderness. Lawrence’s artistic practice translates the natural world and everyday objects into multifaceted installations that reveal their hand-built construction and his resourceful use of materials. These interests can be traced to his early awareness of display apparatus and sculptural construction inspired by childhood objects, including a fossilized dinosaur bone ever-present in his family home and a telescope gifted to him by his brother.

Lawrence’s eclectic output has focused on early imaging technologies and the meeting place of urban and “wilderness” cultures. Through critical engagement with stories of travel, exploration and mechanical invention, his work merges diverse interests, including sea kayaking and solar phenomena with practices of drawing, photography, construction, D.I.Y. construction, surveying and mapping. His ambitious undertakings have involved converting a kayak to a floating laboratory for underwater pinhole photography and mounting a tent-sized camera obscura on the side of a ferry. This exhibition brings together seminal projects that demonstrate the through-lines of nature and technology in Lawrence’s practice, including Romantic Commodities (1993), The Sled (1995), Underwater Pinhole Photography Project (1997-), Torhamvan/Ferryland (2005), One Eye Folly (2008) and Coastal Camera Obscura (2017).

Lawrence’s current focus on the camera obscura emerges from research into historical understandings of optics in relation to emergent and obsolete technologies. The camera obscura was important to both art and science; it was a precursor to photography and an early optical instrument that provided a means of observing solar phenomena as well as being a tool for artists to render their subjects. Lawrence’s large-scale public artwork, Comet MMXVIII (2018), is part of the Kamloops Art Gallery’s collection and is currently installed on the roof of the Thompson-Nicola Regional District building entrance. Evoking a comet in the night sky and Lawrence’s enduring interest in the pre-photographic optical apparatus that allow us to view such phenomena, the incorporation of bubble wrap and fluorescent light tubes also speaks to Lawrence’s innovative use of salvaged materials and obsolete technology. For this exhibition, Lawrence has constructed a new public artwork on the canopy of the adjacent Paramount Theatre building, offering visitors the opportunity to experience a camera obscura in person, in conjunction with camera obscura works on view in the Gallery.

Donald Lawrence is a professor in the Visual Arts Program at Thompson Rivers University (TRU). In 2017, he was the recipient of the Kamloops Mayor’s Award for the Arts – Artist of the Year award and was the first Chair of the City of Kamloops Arts Commission. A testament to his established commitment to research and teaching, Lawrence was recently awarded the President’s Distinguished Scholar Award at TRU. From 2013 to 2019, Lawrence led The Camera Obscura Project, a multi-year program of research funded by the Social Sciences and Humanities Research Council that involved numerous students, emerging and established artists, and scholars. An exhibition of artwork from this project was exhibited at the Kamloops Art Gallery in 2016 entitled Midnight Sun Camera Obscura. A parallel exhibition was also exhibited at the University of Lethbridge Art Gallery and travelled nationally to galleries in Ontario and the Yukon, with a publication forthcoming. That exhibition was followed by the solo exhibition Kepler’s Klepper and The Underwater Pinhole Photography Project in 2018 at the University of Lethbridge Art Gallery. Lawrence also converted a circa 1927 grain bin into a walk-in, pavilion-style camera obscura at the University of Lethbridge’s Coutts Centre for Western Canadian Heritage outside Nanton, Alberta in 2018. A monograph publication will be produced by the Kamloops Art Gallery following this exhibition.

A video tour of the exhibition with the artist, Donald Lawrence, and curator, Charo Neville was recorded and edited by Jonathan Fulton and can be viewed HERE

Donald Lawrence
One Eye Folly, 2008
camera obscura

Curated by Charo Neville, Curator, Kamloops Art Gallery
View images of the exhibition here.
July 7 to December 31, 2020
The Cube
Anyssa Fortie
Through the creation of a new body of work, Pleasant Field, Kamloops-based artist Anyssa Fortie has developed an immersive installation based on recollections of places and events as abstracted memories. Taking an autobiographical approach, Fortie pulls from past experiences and examines how they have transformed over time. She is interested in how memories change through re-telling and re-remembering them. Fortie probes questions about what makes an experience memorable. How is it that some memories fade through a loss of details while others remain memorable because of the small details? Fortie finds herself questioning her own memory, asking herself: What did I actually see, smell, hear? She observes that over time memories tend to shift, evoking new emotions, resulting in the simplification or complication of a memory, so that it becomes an abstracted version of what really happened.

Boiling down her memories to their key components, Fortie is left with fragments of imagery: a fountain, a bundle of rope, a foot. These seemingly unrelated objects are synthesized to create a narrative that serves as a pathway to the past. Through Pleasant Field, paintings and sculptures work together to create an alternate reality, immersing the viewer in a landscape of memories as they exist at this moment in time.

Fortie’s new body of work builds on her undergraduate project, which she developed while completing a Bachelor of Fine Arts degree at Thompson Rivers University in 2017 that focused on experiences of coming of age and the tension between childhood and adulthood. Maintaining a distinctly playful and colourful aesthetic, Fortie’s loosely rendered marks and associations flow across the canvas and the walls of The Curbe, materializing in a fluid installation of two- and three-dimensional objects that inhabit an immersive environment.


Anyssa Fortie, The Stars I Never Saw (Study) (detail), 2020, oil on canvas, 40.6 x 50.8 cm
Curated by Craig Willms, Assistant Curator, Kamloops Art Gallery
View images of the exhibition here.
May 11, 2019 to December 31, 2021
TNRD Civic Building
Donald Lawrence
The Kamloops Art Gallery is pleased to announce the realization of Donald Lawrence’s public artwork, Comet MMXVIII, 2018, on the new entrance to the Thompson-Nicola Regional District Building which houses the TNRD civic offices, the Kamloops Branch of the TNRD Library and the Kamloops Art Gallery. An illuminated work, Comet MMXVIII will light up as dusk arrives each evening. Interpretative material is on display in the building's atrium.

Comet MMXVIII was created for the Gallery’s Luminocity 2018 exhibition (luminocity.ca) and served as a beacon of light at Riverside Park during this evening festival of video projections and new media projects. Installed on top of the newly renovated TNRD entrance, this light sculpture will act as a beacon for this public building, marking it as a significant civic and cultural space in the city. It holds visual interest in the daytime and at night, celebrating this building as a key public space in downtown Kamloops and highlighting an exceptional example of local talent. The sculpture also serves as an opportunity to showcase a new work acquired for the Kamloops Art Gallery’s collection and visibly marks the excellence embodied in one of Kamloops’ principle cultural institutions. The sculpture is representative of the Gallery’s rigorous exhibition program and commitment to community engagement.

Donald Lawrence is a professor in the Visual Arts Program at Thompson Rivers University. He holds a Bachelor of Fine Arts from the University of Victoria, Victoria, BC and a Masters of Fine Arts from York University, Toronto, ON and exhibits his artwork nationally and internationally. Lawrence was the 2017 recipient of the Kamloops Mayor’s Award for the Arts Artist of the Year award and was the first Chair of the City of Kamloops’ Arts Commission.

Research for this sculpture draws upon Lawrence’s duel interest in solar phenomenon and optical devices. He referenced numerous books in this research and made sketches based on medieval imagery he sourced. These ephemeral resources will also be displayed in the entrance to the TNRD building to further inform visitors about the sculpture and Lawrence’s art practice, and to mirror the Library’s fundamental interest in books, their importance and history.

Donald Lawrence
Comet MMXVIII, 2018
salvaged galvanized items and fluorescent light tubes, LED lights, Bubble Wrap, rope and tackle
444.5 x 279.4 x 88.9 cm
Photo: Krystyna Halliwell

Curated by Charo Neville, Curator, Kamloops Art Gallery
View images of the exhibition here.

Become a member

Make a donation

Description Amount Remove