No Boundaries: History and Progress in Microbiology Research
Open Gallery
January 20 to April 6, 2024
Naowarat Cheeptham, professor of science, Thompson Rivers University.
As an academic cave microbiology researcher and educator, I have headed the TRU Cave Microbiology laboratory since 2002 with an indelible commitment to be a part of microbiology educators’ communities debunking ungrounded concerns about microorganisms.
RESONANT OBJECTS
Open Gallery
December 6, 2023 to January 13, 2024
This community art project was inspired by the idea that the objects we keep in our lives embody some significance to us and hold our stories. Through conversation, self-reflection, and explorations of Deanna Bowen’s exhibition Black Drones in the Hive, participants were invited to consider their relationships with objects. Which objects in our lives hold meaning? What gets saved and why? How do we decide which objects tell our story?
LUMINOCITY
Cooper Battersby and Emily Vey Duke // Shiraz Bayjoo // Blaine Campbell // Carolina Caycedo // Denise Ferreira da Silva and Arjuna Neuman // Luciana Freire D'Anunciação // Marja Helander // Cheyenne Rain LeGrande // Beric Manywounds // Natalie Purschwitz // Ahilapalapa Rands // Genevieve Robertson
Kamloops Art Gallery & Riverside Park
October 14 to 21, 2023
Curated by Emily Dundas Oke and Charo Neville
Luminocity, a week-long outdoor video art exhibition, returns to the unceded and unsurrendered lands of the Tk’emlúps te Secwépemc within Secwepemcúl’ecw this fall. Dynamic video projections and immersive light experiences will fill the grass field at Riverside Park and transform the exterior of the Kamloops Art Gallery. With projects that range from narrative storytelling to experimental film and animation, accompanied by nightly tours in the Riverside Park, Luminocity offers a portal to urban transformation and insightful encounters for all ages.
PROCESS, PRODUCT, MINDSET
Kiyana Basworo // Willow Beers // Benjamin Branch // Hannah Durant // Tarynne Gray // Ruby Liddy // Jade Matthews // Ze McDaniel // Jasmine Thomas // Aidan Wiggil
Open Gallery
July 15 to August 26, 2023
Curated by Simone Olanski
What inspires creation?
Process, Product, Mindset, portrays the artwork of 10 youth interns who were brought together for two weeks to collaborate on a group exhibition which expresses their identity through art. They chose to showcase their individuality by bringing their personalities to life through different styles and forms of art. The interns chose to ask themselves what inspires them to create.
ECHOES
Scott Benesiinaabandan // Jeffrey McNeil-Seymour & Dayna Danger // Caroline Monnet // Nicole Preissl // Maika‘i Tubbs // jaz whitford
Central Gallery
July 15 to September 9, 2023
Curated by Emily Dundas Oke
“Water connects us all.” - Elder Dr. Margaret Vickers Hyslop
As an echo reflects and repeats between entities, this exhibition contemplates ways recurrences traverse generational and geographical expanses. An echo is a continuation that needs a physical body on which to resound. Here, the bodies of water and the physical remnants of stone, plastic, and land become the houses for the historical traces of change and continuity. The works in this exhibition explore the physical and embodied ways in which memory appears and continues to resonate within individuals and across generations. Through practices such as ceremony and revisitations of the voyages of one’s ancestors, the artists included in echoes call upon knowledge systems that do not rely on the written word, but rather assert a continuity and interconnectedness between body, land, and water. Each of these entities also demonstrate their agency as knowing beings. These practices and beliefs posit specific notions of time while entangling our bodies within processes of remembering.
echoes is organized and circulated by the Burnaby Art Gallery, and curated by Emily Dundas Oke.
THE FADEAWAY
Mallory Tolcher
The Cube
July 8 to September 9, 2023
Curated by Craig Willms
The iconic fadeaway jump shot in basketball is executed when the shooter gracefully and effortlessly glides away from the defender while still maintaining control of the ball. In The Fadeaway artist Mallory Tolcher captures the essence of this move by focusing attention on the history of women’s basketball. Through a series of photographs, sculptures, and textiles, Tolcher challenges gender stereotypes of women in sport and celebrates the rise and acceptance of professional women’s basketball. In the context of prescribed social gender roles, basketball was historically deemed too rough and cardiovascular for women. Despite these attitudes, women’s professional basketball has excelled. As the game has evolved, calls for equality, empowerment, and social justice have been amplified.
THE COSMIC SYMPHONY OF INTERGALACTIC CHAOS
bunchofsickness // Clementine Clark // Ryder Dobson // Jahree James // Rowan Jensen // Michelle Jones // Kira Makela // NAPCOLORS // Vasualha Nikku // Riffia // SAFO // Shades // Huxley Wendland III Esq. // Sophia Westwood // Emily Wood // WORMLORD
Open Gallery
April 15 to June 24, 2023
Curated by Chris Bose and Charlie Napoleon
This exhibition shares the work of The Fierce Unicorn Shadow Masterminds Artists Collective. Lead by KAG Youth Programs Coordinator Chris Bose, this program engages a determined and dedicated group of young artists who meet weekly in the Kamloops Art Gallery studios to explore multi-media.
I KNOW ABOUT LOTS OF THINGS I’VE NEVER SEEN. AND SO DO YOU.
Zoe Kreye
Central Gallery
April 22 to June 30, 2023
Curated by Charo Neville
Breathe, listen, feel, connect, observe. Tune into a sensation in your body. What is it telling you?
I know about lots of things I’ve never seen. And so do you. invites us to trust our internal knowledge. The exhibition shares work by Vancouver-based artist Zoe Kreye created through a studio practice informed by politicized somatics which grounds the artist in her body and allows her to connect with creative forces informed by her bodily sensations.
Generously supported by the Women’s Art Initiative and Jane Irwin and Ross Hill
THE 215 LE ESTCWICWÉY̓ (“THE MISSING”)
Johnny Bandura
The Cube
April 15 to June 24, 2023
Curated by Craig Willms
Upon hearing the news in May of 2021 of the 215 children discovered in graves at the site of the former Kamloops Indian Residential School, Johnny Bandura began painting 215 portraits as a therapeutic process. He felt compelled to respond to the findings as his grandmother was a Residential School survivor from Kamloops and Bandura remains connected to family in the region.
GLACIAL RESONANCE
Paul Walde
Central Gallery
January 21 to April 1, 2023
Curated by Charo Neville
Presenting the glacier as a central protagonist, Glacial Resonance brings the stark reality of otherwise distant mountain ranges to the forefront. A solo exhibition of ambitious projects by Canadian artist Paul Walde, Glacial Resonance shares the artist’s enduring concern about environmental crises, channelled through sound and video. Best known for his interdisciplinary performances staged in the natural environment, Walde’s work often involves music and choreography. His immersive installations materialize from projects on mountain sides and from deep in old growth forests that involve myriad volunteers and performers, and technically ̶ and geographically - challenging logistics. The splendor and sense of awe evoked by these landscapes, emphasized through the embodied sound experience of Walde’s installations, offer alternative modes in which to traverse the overwhelming scale of climate change.
QUEER NEWFOUNDLAND HOCKEY LEAGUE (QNHL)
Lucas Morneau
The Cube
January 14 to April 1, 2023
Curated by Craig Willms
Playfully and provocatively challenging the prevalence of homophobia and hyper-masculinity in the culture of team sports, Lucas Morneau’s Queer Newfoundland Hockey League (QNHL) proposes 14 fictional teams that reclaim, empower, and amplify LGBTQIA2S+ voices. With team names that include the St. John’s Sissies, Bonavista Buggers, and Ferryland Fairies, Morneau subverts pejoratives used against the LGBTQIA2S+ community, paired with places historically associated with senior hockey league teams in Newfoundland and Labrador.
HEBREW SPELLED BACKWARDS (תירִבעִ)
Lindsey Tyne Johnson
Open Gallery
January 21 to April 1, 2023
In her exhibition, Hebrew Spelled Backwards, Lindsey Tyne Johnson examines the complexities of identifying as Jewish and the fear and uncertainty that often come with it. Through a combination of modern, spiritual, and Jewish themes, Johnson explores discovering one's ancestry later in life and its connection to familiar experiences and art. By challenging people to learn more about cultures they may not understand, Johnson aims to create a space for dialogue and inclusivity.
WITH THE GATHERING TREE
Open Gallery
October 1 to December 31, 2022
This exhibition narrates children's dialogues with a 50-year-old maple tree located in the middle of the playground in an early childhood education centre in Kamloops. Drawing and dialoguing in the company of the maple tree, children reimagine their relations with the world and its inhabitants.
Through carefully crafted pedagogical propositions, educators and pedagogist invite children to invent ethical relations with plant companions as they collectively gather around the maple tree. In this way, following slow educational processes, they extend the usual focus on facts and science, and invite children to imagine other possibilities for relating to the world. As the documentation shows, ploddingly, the tree and its companions become central protagonists in children’s relations with the world.
EXPLORATIONS: A SUMMER OF ART
Open Gallery
August 25 to September 25, 2022
Presenting artwork from each summer art camp artist, Explorations: A Summer of Art, celebrates a summer full of learning, creativity, and fun. Artworks are grouped by medium, including watercolour, ink drawings, single and multi-layer relief prints, and acrylic paintings.
Generously sponsored by Watson Engineering Ltd.
WITNESSING
Alicia Henry
Central Gallery
October 1 to December 31, 2022
Curated by Daina Augaitis
For the last two decades, Alicia Henry has been exploring unconventional approaches to portraiture, using the face to represent something that is hidden, revealed, and performed. Henry creates two-dimensional figures and group compositions that are commanding in their grace and expressiveness. Selecting her media carefully, she works with felt, canvas, and other textiles, as well as leather and paperboard, all of which absorb drawn and stitched gestures that register a spectrum of contexts and emotions. Notions of gender and family are significant in her works, as are physical layers that suggest multiple and unfixed identities. Tender renditions of a mother with a child appear, as do groupings of 20 or more females that signify formations of like-minded families within communities.
ASTRAL
Autumn Christopher
The Cube
September 17 to December 31, 2022
Curated by Craig Willms
This exhibition shares work by a recent graduate from Thompson Rivers University (TRU) as part of the Gallery’s annual partnership with TRU’s Fine Arts department. Selected by Kamloops Art Gallery Assistant Curator Craig Willms, this exhibition highlights an emerging artist or artists from TRU’s Bachelor of Fine Arts (BFA) graduating class, giving artists an opportunity to work with a professional curator to create new work for a professional exhibition space outside the context of school. This year the work of Autumn Christopher is presented.
YOUTH UNDER CONSTRUCTION
Seharaab Baidwan // Zero Bethell // Melissa Cadena // Victoria Decaire // Joceyln De Luna // Arseniia Kobzareva // Ashley Martens // Klaira Neilsen // Yanneck Signoretti // Katie Willms
Open Gallery
July 16 to August 20, 2022
Artwork created by the participants of the summer youth intern program.
This program is generously sponsored by the Edwina and Paul Heller Memorial Fund with the Vancouver Foundation.
READING THE LAND: TEN YEARS OF COLLECTING
Rebecca Belmore // Franklin Carmichael // Dana Claxton // Feminist Land Art Retreat // Rodney Graham // Adad Hannah // Andrea Kastner // Ann Kipling // Germaine Koh // Rodney Konopaki and Rhonda Neufeld // Donald Lawrence // Scott Massey // Daphne Odjig // Toni Onley // Gary Pearson // Jerry Pethick // Richard Prince // George Raab // Jack Shadbolt // Gordon Smith // Ted Smith // Tania Willard // Lawrence Paul Yuxweluptun
Central Gallery
July 16 to September 17, 2022
Curated by Charo Neville
Offering a view into the Kamloops Art Gallery’s collection through its acquisitions over the past ten years, Reading the Land: Ten Years of Collecting shares the expanse of artists and artworks that have come into the Gallery’s care over the past decade. The selection of works focusses on a range of approaches to representing the landscape and critically exploring the idea of land. Spanning wide-ranging art-historical epochs and diverse approaches, the exhibition offers a view into artmaking over the past 100 years in the context of shifting worldviews and conversations about land use and cultural implications. The selection of works in Reading the Land: Ten Years of Collecting present a reading of the land that is inseparable from culture.
GHOST DAYS
Terrance Houle
The Cube
June 30 to September 10, 2022
Organized by the Kamloops Art Gallery
This exhibition is the culmination of GHOST DAYS projects developed since 2018. Initiated in 2015, GHOST DAYS is an experimental art adventure, bringing together film, video, performance, photography, and music. This project conjures spirits and ghosts of Indigenous, colonial, and non-colonial history that exist in the light of night, as well as in the darkness of the day.
HERE ELSEWHERE OTHER HAUNTINGS
Jin-me Yoon
Central Gallery
April 23 to July 2, 2022
Curated by Anne-Marie St-Jean Aubre
Curator of Contemporary Art, Musée d’art de Joliette
Here Elsewhere Other Hauntings is the first retrospective dedicated to the work of Jin-me Yoon, a Korean-Canadian artist living in British Columbia. Conceived and organized by the Musée d'art de Joliette, Québec, this exhibition brings together nearly 30 years of Yoon’s artistic practice through a thematic journey. It shares works that condense several of the artist's preoccupations, including her relationship with her Korean heritage, her experience of migration, and her testing of the reality of what are considered Canadian ideals.